Masterclass Hero Section
An innovative course by Natasha Leonnet

Mastering the Artistry of Color Correction & Blackmagic's Resolve

Learn from a colorist with over 170+ feature, streaming, commercial and music video credits who is also a university professor. With 24+ hours of intensive lectures designed for you by the senior colorist Natasha Leonnet, master the art of color grading and Resolve.

Natasha Leonnet

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Master Color Correction & Color Theory
22 Inspiring & In-Depth Modules
2x HPA Award Winner
130+ Classes
Masterclass Design
Deep Dive
Core Curriculum

DEEP DIVE

Master color correction with 24+ hours of immersive, expert-led training by Ms Leonnet.

Group Calls
Live Interaction

GROUP CALLS

Engage with Ms Leonnet and fellow students during live group calls.

Learning Essentials

LEARNING ESSENTIALS

Receive a physical box containing a custom study book and much more!

Collaborative Learning

COLLABORATIVE LEARNING

Join a community of students to collaborate and learn from each other.

Certificate

CERTIFICATE

Obtain an official certificate acknowledging your completion of the training.

Meet Your Instructors

A person with curly hair sits, smiling, in a dimly lit room with a computer in the background.

Natasha Leonnet

Senior Colorist Natasha Leonnet has over twenty years of experience and has worked with many of the industry’s most acclaimed filmmakers. She won the HPA Outstanding Color Grading Award for both Spider-Man: Into the Spider-Verse and Spider-Man: Across the Spider-Verse, and has received ten other nominations for her contributions to Billie Eilish: Happier than Ever, Candyman (2021), Mulan (2020), First Man, Hidden Figures, Whiplash, Labor Day, Love & Other Drugs, Get Low, and Defiance. Most recently, she worked on K-Pop Demon Hunters, Rental Family, The Chronology of Water, and seasons 1 & 2 of Platonic

She is a member of the Academy of Motion Picture Arts & Sciences and an associate member of the American Society of Cinematographers.

Person standing behind a professional video camera in a dimly lit environment.

Natalie Kingston, ASC

Natalie Kingston is an award-winning director of photography whose recent work on the triple Golden Globe-nominated and four-time Emmy-nominated Apple TV+ crime drama, Black Bird, earned her an Emmy for Outstanding Cinematography For A Limited or Anthology Series or Movie. 

Outside of film, Kingston also lenses music videos. In 2021 she shot “Break” for Julia Stone ft. St. Vincent, which premiered at SXSW the same year. Similarly, she collaborated with Billie Eilish on the “You Should See Me In A Crown” live performance and a music video for “Bitches Broken Hearts.”

Credits & Highlights

Movie poster for "La La Land" showing a dancing couple on a hill with city lights in the background, starring Ryan Gosling and Emma Stone. Release date: December 25.
Poster of "Spider-Man: Into the Spider-Verse" shows a Spider-Man figure in mid-air over a city skyline, with a release date of December 14.
Movie poster for "Where the Crawdads Sing" featuring a woman's face with hair blowing in the wind. A boat with people on water is shown above. Text includes release details and production credits.
Movie poster for "First Man" featuring a close-up of a man's face in a space helmet, numbers and spacecraft reflections overlaying, with text detailing the movie title, cast, and production credits.
Poster for the film "Candyman" shows a person in a dark coat holding a hook. Text reads: "Say It," "A film by Nia DaCosta and producer Jordan Peele," and "In theaters August 27.
A woman with tied-up hair and tattoos faces sideways in a dimly lit scene. Text includes names of cast, director, screenplay, and the movie title "Back to Black." In theaters May 17.
Poster of "Spider-Man: Across the Spider-Verse" featuring various Spider-Man characters in dynamic poses, with a vibrant, colorful background.
Movie poster for "Whiplash" featuring two men, one playing the drums intensely and the other observing closely. The poster highlights film festival awards and stars J.K. Simmons and Miles Teller.
Illustrated poster for "Sin City" featuring a man in a suit holding a gun, standing in the rain. The dramatic color grading course captures the noir essence. Text reads: "HELL OF A WAY TO END A PARTNERSHIP" and "BRUCE WILLIS as HARTIGAN.
A woman in a blue dress gazes at a man in a torn suit holding a large crocodile. The text above reads "You're Cordially Invited" and promotes a new movie, whose stunning visuals rival the best color grading course, releasing January 30 on Prime.
Poster for "K-Pop Demon Hunters" shows three animated characters in dynamic poses with weapons, standing before a large, colorfully lit billboard—like a scene straight out of a color grading course. Netflix release June 20.
Close-up of two people facing each other closely, with the text "Nobody Wants This" and "Netflix" below. Release date is September 26.
Poster for the film "Hidden Figures," featuring three women standing confidently in front of a rocket launch under an archway. Text reads "Meet the women you don't know behind the mission you do.
Two men in a tense conversation sit close together in a dimly lit setting. One has a mustache and looks serious; the other appears pensive. Text reads "Black Bird," with the Apple TV+ logo above.
Two people wearing sunglasses grasp hands in front of a sunset background, showcasing vibrant tones perfect for a color grading course, with the text: "Apple TV+, Seth Rogen, Rose Byrne, Platonic.
Five people sit side by side on a bench inside a subway train, highlighted by striking tones reminiscent of a color grading course. The film title “Rental Family” and credits are shown below them.
Poster for the Netflix series "Boots," with cinematic color grading reminiscent of a top color grading course, shows young men in USMC uniforms training. Tagline: "Growing up has its obstacles." Premieres October 9.
Promotional poster for Disney's "Mulan" showing a woman in a red outfit wielding a sword against a backdrop of mountains, with the movie's title and release date at the bottom.
Movie poster for "The Life Aquatic with Steve Zissou," showcasing a diverse cast inside a vividly color-graded yellow submarine. Text includes film title and credits.
Cover of "Happier Than Ever" by Billie Eilish features a person with blond hair in a white sweater, looking reflective. The image's exquisite color grading course accentuates its mood. Text includes the artist's name and song title.
Movie poster for "La La Land" showing a dancing couple on a hill with city lights in the background, starring Ryan Gosling and Emma Stone. Release date: December 25.
Poster for "K-Pop Demon Hunters" shows three animated characters in dynamic poses with weapons, standing before a large, colorfully lit billboard—like a scene straight out of a color grading course. Netflix release June 20.
Poster of "Spider-Man: Into the Spider-Verse" shows a Spider-Man figure in mid-air over a city skyline, with a release date of December 14.
Close-up of two people facing each other closely, with the text "Nobody Wants This" and "Netflix" below. Release date is September 26.
Movie poster for "Where the Crawdads Sing" featuring a woman's face with hair blowing in the wind. A boat with people on water is shown above. Text includes release details and production credits.
Poster for the film "Hidden Figures," featuring three women standing confidently in front of a rocket launch under an archway. Text reads "Meet the women you don't know behind the mission you do.
Illustrated poster for "Sin City" featuring a man in a suit holding a gun, standing in the rain. The dramatic color grading course captures the noir essence. Text reads: "HELL OF A WAY TO END A PARTNERSHIP" and "BRUCE WILLIS as HARTIGAN.
Movie poster for "First Man" featuring a close-up of a man's face in a space helmet, numbers and spacecraft reflections overlaying, with text detailing the movie title, cast, and production credits.
A woman with tied-up hair and tattoos faces sideways in a dimly lit scene. Text includes names of cast, director, screenplay, and the movie title "Back to Black." In theaters May 17.
Two people wearing sunglasses grasp hands in front of a sunset background, showcasing vibrant tones perfect for a color grading course, with the text: "Apple TV+, Seth Rogen, Rose Byrne, Platonic.
Collage poster for the Netflix series "Boots" showing young men in USMC shirts undergoing military training, climbing ropes, and standing together. Enhanced with techniques from a color grading course. Release date: October 9.
Five people sit side by side on a bench inside a subway train, highlighted by striking tones reminiscent of a color grading course. The film title “Rental Family” and credits are shown below them.
Poster of "Spider-Man: Across the Spider-Verse" featuring various Spider-Man characters in dynamic poses, with a vibrant, colorful background.
Two men in a tense conversation sit close together in a dimly lit setting. One has a mustache and looks serious; the other appears pensive. Text reads "Black Bird," with the Apple TV+ logo above.
Movie poster for "Whiplash" featuring two men, one playing the drums intensely and the other observing closely. The poster highlights film festival awards and stars J.K. Simmons and Miles Teller.
Promotional poster for Disney's "Mulan" showing a woman in a red outfit wielding a sword against a backdrop of mountains, with the movie's title and release date at the bottom.
A woman in a blue dress gazes at a man in a torn suit holding a large crocodile. The text above reads "You're Cordially Invited" and promotes a new movie, whose stunning visuals rival the best color grading course, releasing January 30 on Prime.
Movie poster for "The Life Aquatic with Steve Zissou," showcasing a diverse cast inside a vividly color-graded yellow submarine. Text includes film title and credits.
Poster for the film "Candyman" shows a person in a dark coat holding a hook. Text reads: "Say It," "A film by Nia DaCosta and producer Jordan Peele," and "In theaters August 27.
Cover of "Happier Than Ever" by Billie Eilish features a person with blond hair in a white sweater, looking reflective. The image's exquisite color grading course accentuates its mood. Text includes the artist's name and song title.

Course Overview

Mastering the Artistry of Color Correction

Course Material
1 Hours
Video Lessons
1
Modules
1
Of Course Material
1 Hours
Video Lessons
1
Modules
1
Course Modules Grid

Build a Solid Foundation With Your Primary Color Correction

Learn to use printer lights and linear primaries to build a beautiful basis for every grade which ensures consistency and balance across all shots.

Navigate Davinci Resolve’s End-to-End Workflow

Build a solid workflow to set up databases, manage media, and configure your color management for seamless, professional-grade project workflows.

Craft Beautiful Lighting With Precision

Enhance depth and atmosphere with windows and the Key Mixer to mimic on-set lighting and elevate your visual storytelling.

Grade With Precision Using Industry Standard Scopes

Confidently analyze and refine your grades using the Parade, Waveform, Vectorscope, and Histogram for a flawless color consistency.

Build Advanced, Non-Destructive Node Trees

Master complex grading workflows with the use of serial, parallel, layer, and key mixer with complete creative control.

Prepare Platform-Ready Deliverables

Gain a clear understanding of rendering workflows and QC processes for deliveries across theatrical, streaming, and broadcast formats.

course Highlights

Highlights from the
Core Training

A person in a white spacesuit stands on a road, surrounded by trees and rocky hills in the background. A person in a white spacesuit stands on a road, with a rocky, barren landscape and sparse trees in the background.
Before
After
A young woman with earbuds looks out of a car window at night. City lights and streetlights are visible outside. A woman with earphones looks out the window of a moving car at night, with blurred city lights in the background.
Before
After

Module 12: Digital Lighting

  • Digital Lighting with Custom Windows: Create and manipulate linear, circular, polygon, curve, gradient, inside and outside windows that shape light and create shadows, mimicking on-set lighting.
  • Blend Lighting Adjustments Seamlessly: Create invisible corrections by fine tuning window placement and edge softness, ensuring smooth transitions.
  • Adapt Your Light to Varied Cinematographic Styles: Adjust window softness and contrast dynamically to match the cinematographer’s original lighting design without disrupting the inherent visual language. 
  • Create Targeted Lighting Effects with Layered Nodes: Combine windows with hierarchical grading to build complex lighting effects and control how each shape interacts with others for precise, scene-specific adjustments. 

Module 12: Digital Lighting with Natasha Leonnet

A person in a white spacesuit stands on a road, surrounded by trees and rocky hills in the background. A person in a white spacesuit stands on a road, with a rocky, barren landscape and sparse trees in the background.
Before
After
A young woman with earbuds looks out of a car window at night. City lights and streetlights are visible outside. A woman with earphones looks out the window of a moving car at night, with blurred city lights in the background.
Before
After
  • Master Digital Lighting with Custom Window Shapes: Learn to create and manipulate linear, circular, polygon, curve, gradient, inside and outside windows to shape light and create shadows, mimicking on set lighting techniques in DaVinci Resolve. 

  • Blend Lighting Adjustments Seamlessly: Create invisible corrections by fine tuning window placement and edge softness, ensuring smooth transitions, in high resolution theatrical or streaming formats. 

  • Adapt Your Light to Varied Cinematographic Styles: Adjust window softness and contrast dynamically to match the cinematographer’s original lighting design and enhance dramatic or naturalistic scenes without disrupting the inherent visual language. 

  • Create Targeted Lighting Effects with Layered Nodes: Combine windows with layer mixers and hierarchical grading to build complex lighting effects, controlling how each shape interacts with others for precise, scene-specific adjustments. 

Module 16: Creating Your Own Lighting Package

Close-up of a person's eyes with light-colored irises, slightly red around the edges. Close-up of a person's eyes with intense gaze, highlighting blue irises and long eyelashes.
Before
After
A person stands on stage, silhouetted by a spotlight, with their arms raised.
Before
After
  • Simulate Realistic On-Set Lighting with the Key Mixer: Learn how to replicate complex lighting setups by blending multiple window shapes (linear, circular, polygonal, and gradient) using the Key Mixer which can enable you to create dynamic and natural lighting effects that align with the cinematographer’s creative intent.

  • Master Parallel vs. Serial Node Configurations for Lighting Effects: Using Natasha’s favorite node tree, understand the critical differences between parallel and serial node structures and how each impacts the intensity, layering, and blending of your color and contrast corrections. 

  • Build Hierarchical Lighting Rigs with Layer Mixers: Design sophisticated lighting effects by combining windows and nodes in both layer and key mixers, allowing for precise control over how corrections stack and interact, resulting in more natural and cinematic images. 

Module 18: Reframing the Image with Sizing

A woman in a white dress appears to float among swirling white sheets in a soft-lit, dreamlike setting. A person in a white dress appears to float above a bed, surrounded by flowing sheets, in a dimly lit room.
Before
After
Aerial view of an intricate multi-layered highway interchange with several lanes and vehicles visible, showcasing complex urban infrastructure. Aerial view of a complex highway interchange at night, with multiple overlapping roads and a few vehicles visible.
Before
After
  • Master Sizing Tools for Reframing: Understand how to effectively use Input, Edit, Node and Output Sizing in DaVinci Resolve to adjust framing while preserving quality of the image across different resolutions and formats. 

  • Create Beauty with the Key Lock Function: Eliminate visual imperfections with this colorists’ secret weapon.

  • Use Reframing to Enhance Visual Storytelling: Employ precise scaling, panning, and tilting to subtly shift focus and highlight key elements to help strengthen the visual narrative.

Module 16: Creating Your Own Lighting Package

  • Mimic On-Set Lighting with the Key Mixer: Learn how to replicate complex lighting setups by blending multiple window shapes (linear, circular, polygonal, and gradient) using the Key Mixer. Create dynamic and natural lighting effects that align with the cinematographer’s creative intent. 
  • Master Parallel vs. Serial Node Configurations for Lighting Effects: Learn Natasha’s favorite node tree, understand the critical differences between parallel and serial node structures and how each impacts the intensity, layering, and blending of your color and contrast corrections. 
  • Build Hierarchical Lighting Rigs with Layer Mixers: Design sophisticated lighting effects by combining windows and nodes in both layer and key mixers which allow for precise control over how corrections stack and interact, resulting in more natural and cinematic images. 
Close-up of a person's eyes with light-colored irises, slightly red around the edges. Close-up of a person's eyes with intense gaze, highlighting blue irises and long eyelashes.
Before
After
A person stands on stage, silhouetted by a spotlight, with their arms raised.
Before
After
A woman in a white dress appears to float among swirling white sheets in a soft-lit, dreamlike setting. A person in a white dress appears to float above a bed, surrounded by flowing sheets, in a dimly lit room.
Before
After
Aerial view of an intricate multi-layered highway interchange with several lanes and vehicles visible, showcasing complex urban infrastructure. Aerial view of a complex highway interchange at night, with multiple overlapping roads and a few vehicles visible.
Before
After

Module 18: Reframing the Image with Sizing

  • Master Sizing Tools for Reframing: Understand how to effectively use Input, Edit, Node and Output Sizing in DaVinci Resolve to adjust framing while preserving the quality of the image across different resolutions and formats. 
  • Create Beauty with the Key Lock Function: Eliminate visual imperfections with this secret weapon.
  • Use Reframing to Enhance Visual Storytelling: Employ precise scaling, panning, and tilting to subtly shift focus and highlight key elements to help strengthen the visual narrative.

A few more hidden gems of knowledge

Created as a true companion to the training, this book exists only in physical form. It is your tactile, high-end reference for mastering the most technical and artistic aspects of color correction.

A book titled "A Few More Hidden Gems of Knowledge" with Natasha Leonnet, featuring a minimalist cover design with intersecting lines on a light background—perfect for anyone curious about color grading courses and creative learning.
Table of contents page listing introduction, five chapters, and conclusion with corresponding page numbers for a color grading course, set on a gray background with yellow and white text.
A numeric keypad is shown with colored stickers applied to the keys, each color representing a specific printer lights control function—ideal for anyone taking a color grading course. Instructions are displayed above the image.
A diagram of a parallel node configuration in color grading software, accompanied by explanatory text about serial and parallel nodes, their effect on image adjustments, and tips from a professional color grading course.
A page from a color grading course manual explains the Layer Mixer in Resolve, featuring a diagram with labeled nodes and annotated text about bottom connection priority.
Screenshot of a node-based editor showing a Key Mixer node selected, with its input link gain settings displayed in a panel below—perfect for illustrating concepts in a color grading course.
A page from a book discussing Natalie Kalmus's philosophy of color, with bullet points outlining her principles, an image of "Color Consciousness," and insights perfect for anyone interested in a color grading course.
A blurry figure stands near a window, transitioning from a sepia-toned scene to color; text below explores Technicolor in "The Wizard of Oz" and highlights insights from a color grading course.

The Course Breakdown

Course Syllabus Accordion
  • An Introduction to the Art of Color Grading - One of the Most Important Tools in Visual Storytelling
  • Writing with Color - a Color Diary and a Beginning Study of Color
  • A Case Study in Creating the Impression of Contrast Through Color: the Films of Wes Anderson
  • An Introduction to the GUI, the Palettes and an Overview of Each Menu
  • Michel Pastoureau's Writings on Color and Your Color Diary - A Case Study of Blue
  • A Re-Introduction to Blackmagic's Resolve and its Interface
  • How to Create a Database
  • How to Setup a New Project
  • How to Navigate System Settings
  • How to Navigate User Settings
  • How to Import Media into Your Project and Create a Timeline: XML, EDL, etc..
  • How to Navigate Colour Management and Look Up Tables (LUTS) for Absolute Beginners
  • How to Set Up a VI Layout Which Reflects Your Needs
  • How to Load One Serial Node and How to Use Pre and Post-Group, Clip and Timeline Grading
  • How to Use the Gallery
  • How to Create Multiple Versions
  • How to Save Your Project
  • An Overview of Aspect Ratios and Setting Up Your Timeline Aspect Ratio
  • A Case Study of Mixed Aspect Ratios and Resolutions: Lucy in the Sky
  • The Input Resolutions Vs the Output Resolution
  • Your Color Diary - A Case Study of Red
  • Why Is Your Primary Color Correction the Key to a Successful Grade?
  • How to Program Your Numeric Keypad For Printer Lights
  • Resolve's Art of Printer Lights
  • A Case Study of Printer Lights - The Assassination of Jesse James by the Coward Robert Ford
  • An Efficient Use of Resolve's Linear Primaries
  • A Case Study of Linear Primaries --Transformers
  • A Powerful and Complex Combination: Resolve's Printer Lights and Primaries in Tandem
  • How to Mitigate Skin Tones and Overall Saturation Using Your Simple Primaries
  • The Great Lie of the Vectorscope - the Skin Tone Indicator Line
  • Your Color Diary - A Case Study in White
  • How to Read Your Scopes in Parade Mode
  • How to Read Your Scopes in Waveform Mode
  • How to Read Your Scopes in Vectorscope Mode
  • How to Read Your Histogram
  • The Importance of Using Scopes in Achieving Seamless Visual Continuity
  • A Definition of the CIE Chromaticity Scopes
  • A Case Study of Contrast - Looking at Examples of the Work of Four Fine Art Photographers Through Your Histogram - Robert Capa, Ansel Adams, Harry Callahan and Cindy Sherman
  • The GUI Differences Between the Primaries - Color Wheels, Primaries, Color Bars and the Primaries' Log Wheels
  • The Beauty and Precision of Painting Your High and low lights with Resolve's Log and Range Controls
  • An Explanation of the Highlight and Shadow Controls
  • Midtone Detail - a Cinematographer's and Actor's Best Friend
  • An Explanation of the Saturation Control and How Saturation Can Become a Tool to Emphasize the Tone of the Story
  • An Explanation of the Color Boost Control vs the Saturation Control
  • An Explanation of the Hue Control
  • An Explanation of Contrast and Pivot
  • An Explanation of Temperature and Tint
  • An Explanation of the Luminance Mix Control
  • To Auto Balance or Not to Auto Balance?
  • If You Auto Balance, Should You White Balance? A Further Explanation of Temperature and Tint!
  • An Explanation of the Image Wipe Controls Including Reference Sizing
  • The Difference Between Monitoring Continuity For Commercials and All Other Genres Including Features, Episodic and Music Videos
  • A Brief Discussion of Josef Albers' Book "Interaction of Color" and Its Implications of Understanding the Challenge of Achieving Perfect Continuity
  • A Quick Exploration of the "Interaction of Color" App and How It Can Help Our Understanding of the Relationships Between Colors and Our Perception of Continuity
  • Your Color Diary: A Case Study of Skies
  • Our Interview with Cinematographer Emmy Award Winning Natalie Kingston
  • The Wisdom of the Grey Card and the Color Chart
  • Leading with Grey: Color Correcting the Test Charts
  • Natasha's Favorite Node Trees, Serial and Parallel Nodes and an Introduction to Non-Destructive and Destructive Color Grading
  • The First Node Menu
  • The Second Node Menu
  • The Third Node Menu
  • Pre-Group, Clip, Post-Group and Timeline Grading Scenarios
  • Your Color Diary: A Case Study of Green
  • The Whys and Whens of Custom Curves
  • Natasha's Favorite Curve Menu: Hue vs Hue & the Hue vs Sat and Hue vs Lum Menus
  • Luminance vs Sat
  • Sat vs Sat
  • Sat vs Luminance
  • One Approach to Underwater Skin Tones
  • Your Color Diary - A Case Study of Yellow
  • Creating Linear, Circle, Polygon, Curve, Gradient and Outside Shapes Part 1
  • Creating Linear, Circle, Polygon, Curve, Gradient and Outside Shapes Part II
  • A Dive into the Invisible - the Transform and the Softness Menus
  • Invoking the Cinematographer's Eye with Windows
  • Your Color Diary - A Case Study of Black
  • A Grading Prelude to Tracking and Keyframing
  • Mastering Auto-Tracking
  • Advanced Hacks For Auto-Tracking
  • Mastering the Craft of Manual Keyframing
  • Natasha's Favorite Qualifier - the 3D Qualifier
  • Exploring the HSL Legacy Qualifier
  • Exploring the RGB Legacy Qualifier
  • Exploring the LUM Legacy Qualifier
  • Your Color Diary - A Case Study of the "Half Color" - Grey
  • Hierarchical Grades with Layer Nodes
  • A Brief Explanation of the Node Keyer
  • A Beginner's Guide to (the Almost) Hierarchical Nodes of the Key Mixer
  • Decluttering with Compound Nodes
  • Decluttering with the Clips Button
  • Organizing Using Clip Selects
  • Your Color Diary - A Case Study of a "Half Color" Pink
  • Natasha's Instant Flagging Rigs
  • The Moon and the Sun - Natasha's Instant Lighting Rigs
  • The Colorist and the Cinematographer in Symphony - Two Different Approaches to Node Trees
  • Your Color Diary: A Case Study of a "Half Color" - Brown
  • An Easy Plunge into the Blur, Sharpen and Mist Controls
  • Suggested Uses for Resolve's Blur
  • Suggested Uses for Resolve's Sharpening
  • Play Mist For Me - The Mist Control
  • A Misaligned Blur: Using Resolve's Blur as a Creative Tool
  • Your Color Diary - A Case Study of a "Half Color" - Orange
  • The Difference in Framing Terminology Between the Set & the Color Bay
  • An Explanation of Edit Sizing
  • An Explanation of Input Sizing
  • An Explanation of Output Sizing
  • An Explanation of Blanking Controls
  • An Explanation of Node Sizing
  • Defying the Impossibility of Perfection with the Key Lock Function
  • A Re-Visit of Reference Sizing
  • Your Color Diary: A Case Study of a "Half Color" - Purple
  • Your Color Diary: Translating Your Digital Diary Into Watercolors
  • A Dive into Resolve's Camera Raw Menu
  • A Further Understanding of the Debayering Process
  • The Crucial Importance of the DIT
  • Natasha's LUT Philosophy 101 - The Impact of Your Chosen LUT on Skin Tones, Locations, Production and Costume Design - The Importance of Testing
  • Colorist Self Sabotage 101 (Or How to Kill Your DPs Dreams) - The Warning Signs and Dangers of Broken LUTS
  • The Different Roads to Locating your LUTS in Resolve
  • Camera Default LUTS and how to import them into Resolve
  • Understanding Film Emulation LUTS
  • How to Create Your Own Test Patterns to Better Visually Understand LUTS
  • How to use the Color Space Transform Node
  • Using the CST Node for Converting LUTs to Other Delivery Spaces
  • Organizing a Unified Color Space with Pre and Post Groups
  • Making Your Custom LUT with Your Cinematographer
  • Resolve's DaVinci YRGB Color Management System
  • When checkers is not just a game - Qing Your Files
  • Creating Your Color and Edit Review Files
  • Creating Your Online and Streaming Files
  • Your last send off - Creating your P3 DCI and XYZ Files
Pricing Plans
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Full Training

Student Discount - One-Time Payment
$997
*Copy of your Student ID Required
  • 24+ Hours of Comprehensive Classes
  • Access To Our Private Community
  • The Physical Study Book
  • Downloadable Exercise Files
  • Group Calls
  • Certificate of Completion
  • Email and Community Support for Your Questions
  • No Previous Knowledge Required
Enroll Now

Full Training

Student Discount - 4 Monthly Installments
$250/month
*Copy of your Student ID Required
  • 24+ Hours of Comprehensive Classes
  • Access To Our Private Community
  • The Physical Study Book
  • Downloadable Exercise Files
  • Group Calls
  • Certificate of Completion
  • Email and Community Support for Your Questions
  • No Previous Knowledge Required
Enroll Now
Gold and black emblem reading "100% Money Back Guarantee" with stars at the bottom.

30 Days Money Back Guarantee

We stand by the quality of our course with a 30-day money-back guarantee. If you are not satisfied with your purchase, you can request a full refund within 30 days, provided you have not watched more than 10% of the course content. This ensures you have ample time to evaluate the course which allows us to offer a fair policy to all students.

FAQ Accordion

FAQ

There are no prerequisites for the course. It is designed for both beginners and those looking to enhance their skills.

Yes. We offer a flexible payment plan to allow you to break down the cost of the course into installments.

You will have lifetime access to all course materials, including any new lessons added to this course.

Upon successfully completing the course, you will receive a certificate of completion.

Yes. You can participate in monthly group calls to ask questions and receive feedback on your projects or course content. Priority will be given to course-related questions and support. To ensure the best feedback, it is recommended that you submit your queries prior to the call so that they can be reviewed in advance.

The course uses DaVinci Resolve, which you can download for free. We will provide all the necessary materials and resources, including any additional tools required, to ensure you have everything you need to properly follow the course.

You will have access to a private online community where you can connect with fellow students, share ideas, and receive support.

You can reach out via email, in our private community or during the monthly group calls. If a question is commonly asked by several students, we may create and upload a dedicated class on the topic to ensure that everyone has access to the pertinent information.

Yes. We offer a 30-day money-back guarantee. If you are not satisfied with the course and have watched less than 10% of the content, you can request a full refund within 30 days of your purchase. You can view the Refund Policy here.

the Essential Keyboard Shortcuts GUide

Boost your color grading efficiency with “The Essential Keyboard Shortcuts Guide” for DaVinci Resolve. 

Quickly master time saving shortcuts to streamline your workflow, enhance precision, and unleash your creativity.

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